Image Source: Emil Ravelo/For The Times

Larissa FastHorse’s play Fake It Until You Make It is a farcical comedy set in a nonprofit office for Native American organizations. It critiques issues like race-shifting, cultural identity, and the challenges Native organizations face in securing funding compared to their white-led counterparts. The play satirizes “pretendians”—people falsely claiming Native ancestry—and uses humor to spark conversations around these issues.

FastHorse reflects on the emotional impact of the play’s delayed debut due to a theater closure and the process of navigating the challenges with her director, Michael John Garcés. The play will also be performed in Washington, D.C., with a new cast member. FastHorse discusses how she balances the economics of producing Native theater with ensuring Native artists are well-represented both on stage and behind the scenes. Lastly, she shares her approach to writing a farce, focusing on the physical demands placed on the cast and crew.

Learn more at: https://www.latimes.com/entertainment-arts/story/2025-01-29/at-last-larissa-fasthorse-is-the-first-native-american-playwright-at-mark-taper-forum