
Image Source: KUNM.org
Born and raised in the Acoma Pueblo, New Mexico, Lucy Lewis learned to create pottery from her aunt when she was seven or eight years old. At first, she made pots to sell to tourists, receiving five or ten cents for each pot.
After her marriage and the birth of nine children, Lewis continued to make tourist pottery, signing them ‘Acoma Pueblo.’ Not until much later did Lewis begin to craft her pottery more carefully. She continued to make tourist pottery, but occasionally, she painted her designs. Unlike Nampeyo or Maria Martinez, she did not study pots at archeological sites or in museums. Still, she based her creations on ancient pottery shards she found on the mesa and her imagination.
In 1950, she exhibited a fine-line pot in the Gallup Intertribal Ceremonial and won a blue ribbon. Art lovers began to collect her pottery, and Lucy began to sign the pots with her name. Signing her name broke Pueblo’s tradition of not calling attention to yourself.
She was known for several innovations, including fine-line design, the Zuni heart-line deer, and space. Unlike Maria Martinez, Lucy painted her pots. She worked making pottery until she died in 1992 at 95.
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